One grew up idolizing Harry Houdini. The other worshipped David Copperfield. Now they're both in a place known more for jazz hands than sleight of hand.
The show combines musical theater, visual art and classical ballet in a way that Stroman calls unique.
John Cameron Mitchell, the writer and original star of "Hedwig and the Angry Inch," is returning to her miniskirt, wigs and high heels.
In Arena Stage's hands, 'Fiddler on the Roof,' seems no longer quaint and kitschy, but becomes a complex story with underlying tragedies.
Divine casting makes Israeli Stage's 'Oh God' not to be missed -- one would only expect this of Guy Ben-Aharon's traveling production, since the play requires the casting of divinity.
Huntington Theatre Company's theatrical adaptation struggles only partly under the burden of celebrity. For the most part, the talented cast in this restatement of one of the seminal race relations films of the 1960s stands on its own.